Jill Alexander Essbaum is the award-winning poet and bestselling novelist. Influenced by Edna St. Vincent Millay, Sylvia Plath, and Simon Armitage, “her work brings together sex, divinity, and wordplay, blithely working with received forms and displaying a nuanced attention to rhyme and meter” (The Poetry Foundation).
Her collections of poetry including HEAVEN, HARLOT, and NECROPOLIS. She is the winner of a Bakeless Prize and a two-time recipient of a National Endowment for the Arts fellowship. Her poetry has appeared in dozens of journals including Poetry, The Christian Century, Image, and The Rumpus, Best American Erotic Poems: 1800-Present (2008) and two editions of The Best American Poetry (2010, 2011).
Her first novel, HAUSFRAU—a story of an American expatriate wife in Switzerland—debuted on the New York Times Bestseller list and was named a ‘best book of 2015’ by Amazon, The Huffington Post, Shelf Awareness, Mashable, The San Francisco Chronicle, and several others. It was longlisted for the 2016 PEN Award for Debut Fiction and has been translated into 26 languages.
Essbaum has served as editor for the National Poetry Review and the online journal ANTI-, and has edited for the Nanopress Project. She is a core faculty member of the University of California, Palm Desert, Master of Fine Arts in Creative Writing and Writing for the Performing Arts Low-Residency Program. She lives and writes in Austin, Texas.
Speaking topics include poetry, fiction, creative writing, Christianity, and grief.
“Why the pairing of sexual and religious expression seems wrong to our post-modern American ears, I think, is because we’re all (no matter what we believe or don’t) direct inheritors of a Puritan heritage that disdains human physicality … in lieu of pursuits of the spirit alone.” – Jill Alexander Essbaum
The Good Grief Journal “will empower readers who are experiencing their dark night of the soul to go deep and face their darkest hour with courage.” – Robert Zucker, author of The Journey Through Grief and Loss
“In Hausfrau, Anna Karenina goes Fifty Shades with a side of Madame Bovary.” – TIME
“Jill Alexander Essbaum writes with a rare lyrical exactitude, fusing religious iconography with her own human journey so all the elements—spiritual, physical, intellectual—are reinvented, recharged. There’s an organic, startling music here, and the gift of a brilliant heart.” – Naomi Shihab Nye
“Known for their remarkable mix of eroticism and religiosity, Jill Alexander Essbaum’s poems vibrate with well-proportioned rhymes, unforgettable imagery and a unique realization of form.” – critic Rick Marlatt for Coldfront